致命枷锁 Deadlock.1970.2160p.UHD.BluRay.x265.10bit.HDR.DTS-HD.MA.1.0-SURCODE 34.78GB
◎译 名 致命枷锁◎片 名 Deadlock
◎年 代 1970
◎产 地 西德
◎类 别 惊悚 / 西部
◎语 言 英语
◎上映日期 1970-10-15
◎IMDb评分 6.7/10 from 979 users
◎IMDb链接 https://www.imdb.com/title/tt0065620
◎豆瓣评分 0/10 from 0 users
◎豆瓣链接 https://movie.douban.com/subject/3193954/
◎片 长 85 分钟
◎导 演 罗兰·克利克 Roland Klick
◎编 剧 罗兰·克利克 Roland Klick
◎主 演 Arnold Marquis
安东尼·道森 Anthony Dawson
Siegurd Fitzek
马夸德·博姆 Marquard Bohm
马里奥·阿多夫 Mario Adorf
玛莎·拉本 Mascha Rabben
◎标 签 西部 | 美国 | RolandKlick | 惊悚 | 德语 | 德国｜德语电影 | 德国 | 人都是逼出来的
◎简 介
In 1970, it seems as if Roland Klick set out to emulate Sergio Leone's "The Good, The Bad, And The Ugly", mixing it with Michelangelo Antonioni's "Zabriskie Point" to create a modern Sauerkraut Western (without horses, but rather a truck and a car). The story stars three characters, Marquard Bohm as the "Kid" (The Good), Siegurd Fitzek as "Mr. Sunshine" (The Bad), and Mario Adorf (can be seen in Dario Argento's "The Bird With The Crystal Plumage" as the reclusive cat eating painter) as "Mr. Dump" (The Ugly) (who again plays a reclusive man who lives in a dump??). The story begins with the Kid, who has just pulled off a heist (with a bullet wound in the arm), and is carrying millions of dollars in a case. Wandering aimlessly through the sunbaked desert, (he finally passes out and is left for dead) until Mr. Dump drives along and finds him and the money. Once back at Mr. Dump's residence (a sort of abandoned junk yard), the Kid warns Mr. Dump, that Mr. Sunshine (who apparently is the ringleader of this heist) will be coming for his money. Thus begins the cat and mouse story, of who will get the case of money. Mr. Dump also has two neighbors, an older (and apparently sexually crazy) woman and her pretty (but feral) daughter (who is obviously sexually curious of the Kid).The film is set in (what looks to be) a wasteland desert, which could have been a forerunner for films like "A Boy And His Dog" and "Road Warrior". Yet the film maintains a complete Sergio Leone feel to it. You get all the great close ups of the characters sweating in the sun, and the typical double crossing that took place in his westerns. The Kid in this movie also kind of resembles Charles Bronson's character in Leone's other masterpiece "Once Upon A Time In The West". But on the flipside, this film also kind of reminded me of Antonioni's "Zabriskie Point", in the surreal desert filming. Also the use of Kraut Rock band "Can", who's music score, will remind one of Pink Floyd's music score for Antonioni's film. The inspired use of Can, as the music score was a great choice, because though at times it does remind you of Pink Floyd, it also reminds me of Ennio Morricone's music score as well. The Kid's theme song seems to be "Whiskey Man" by Can, and this reminds me of the way you hear that unforgettable Clint Eastwood whistling theme, or the accompanying harmonica for Charles Bronson. Can's score embodies both stylizations perfectly. The film is pretty obscure, and there was very little information, that I could find on it. But it's worth searching out if you have an interest in different cult type movies from the late sixties, or an interest in Can. But the pacing is a little uneasy and the finale was a tad unclimatic (yet somehow downbeat). Though it's a German production, the English dubbing will remind you of the Spaghetti Westerns as well. Cool, but very weird.
谷歌为您翻译：
1970年，罗兰·克里克（Roland Klick）似乎开始模仿塞尔吉奥·利昂（Sergio Leone）的《好，坏和丑陋》，将其与米开朗基罗·安东尼奥尼（Michelangelo Antonioni）的《扎布里斯基角》（Zabriskie Point）混合在一起，制成了现代的酸菜西式（没有马，而是卡车和一辆车）。故事由三个角色主演，Marquard Bohm饰演“孩子”（好人），Siegurd Fitzek饰演“阳光先生”（坏人）和Mario Adorf（可以在达里奥·阿根托的《水晶结晶的鸟》中看到） （隐居的猫食画家）饰演“ Dump先生”（“丑陋”）（谁又扮演一个住在隐蔽处的隐居男人？？）。故事始于孩子，孩子刚刚抢劫（手臂上有子弹），抢劫案中并携带数百万美元。漫不经心地在晒日光浴的沙漠中徘徊，（他终于走了出去，被留了下来，待死了），直到杜普先生开车去找他和钱。回到邓普先生的住所（一种废弃的垃圾场）后，小孩子警告邓普先生，阳光先生（显然是这次抢劫案的牵头人）将为他的钱而来。这样就开始了猫和老鼠的故事，谁将获得金钱。邓普先生还有两个邻居，一个是年长的（显然是性疯的）女人，另一个是她的漂亮（但很野性）的女儿（显然对孩子有性好奇）。 ，这可能是《男孩与狗》和《公路战士》等电影的先驱。然而这部电影仍保留了塞尔吉奥·莱昂的完整感觉。您会看到人物在阳光下大汗淋漓的所有特写镜头，以及在他的西部片中发生的典型两次穿越事件。这部电影中的小子也很像查尔斯·布朗森（Charles Bronson）的角色，在利昂的另一部杰作《西部往事》中。但另一方面，这部电影也让我想起了安东尼奥尼在超现实主义沙漠中拍摄的“ Zabriskie Point”。配乐的克劳特摇滚乐队“ Can”的使用也会使安东尼奥尼的电影中的平克·弗洛伊德的配乐更让人回味。可以启发性地使用Can，因为乐谱是一个不错的选择，因为虽然它有时确实使您想起Pink Floyd，但它也使我想起了Ennio Morricone的乐谱。 Kid的主题曲似乎是Can的“ Whiskey Man”，这让我想起了您听到令人难忘的Clint Eastwood吹口哨主题的方式，或者是Charles Bronson随附的口琴。坎的分数完美地体现了这两种风格。这部电影很晦涩，几乎没有什么信息可以找到。但是，如果您对60年代后期的其他邪教电影感兴趣，或者对Can感兴趣，则值得一试。但是节奏有点不舒服，结局有点不合气候（但还是有点沮丧）。尽管是德国制作，但英语配音也会使您想起意大利面西餐。很酷，但很奇怪。
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