“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
谷歌为您翻译：
Sangen Om Den Eldr？da Blomman（《猩红色之花的歌》）是这位冯·冯（Herr Von）先生最近的一个令人惊讶的沉默。作品是一部出色的Herr Stiller无声电影，这位德国伯爵以新近修复和着色的副本观看了这部电影。它融合了著名的美学，技术改进和艺术优点，自从那段寂静的早期直到今天，北欧导演一直为此而闻名和赞扬。影片讲述了年轻的young夫（Orrof（Herr Lars Hanson））s夫的快乐和无忧无虑的爱情生活。在寻求真爱的过程中，他诱骗了许多骗子（就像这个德国贵族一样，这并不完全是因为冯·冯（Herr Von）诱骗富勒弗继承人的目的是他们的大运气”。他将感到失望和欺骗，所有那些在恋爱关系中出现的问题都会出现。最终，他将发现自己的责任感和成熟度，并在他的特定任务中学习到他的行为总是会对周围的人产生不同程度的影响。冯·赫尔（Her Von）可以将“桑根·奥姆（Sangen Om）”形容为一种成年电影，这是对自由和容易成长的年轻人的成熟的内省性增长。正如这位德国伯爵所说，这部电影展现了斯蒂勒的特色艺术美德。 ;在电影的第一部分中，我们可以看到喜剧的元素，这与其他斯蒂勒电影中的阴谋喜剧并不完全一样，而是一种更加欢快的幽默，突出了我们英雄的自我参与。奥洛夫（Olof）对不同女孩的轻浮调情最终变成了浪漫，然后变成了戏剧。奥洛夫和他父亲之间以及后来与他所爱的父亲之间的关系陷入困境。诺兰和瑞典北部美丽而野性的自然风光使这个故事具有一定的力量，并且是斯蒂勒先生的其他沉默的特征，在这些沉默中大自然在故事中扮演了重要角色。这在整部电影中都有强烈的反映，尤其是在疯狂的场景中，奥洛夫（Olof）跌入河流的水域，这是我们英雄在找到自己之前必须承受的艰辛的美好比喻。?°Sangen Om Den Eldr？da Blomman ?是一部出色，精美的电影，它是1919年扎实，技术上完美且错综复杂的作品，再次证明了史提勒先生在无声电影史上的重要性。
发表于 2026-3-16 10:15:22
