Krister, a husband and a father, wakes up bloodied and distressed in what appear to be unfamiliar surroundings. Deeply affected by his experience he tries to regain some normality by setting about his daily routine, but his initial distractedness and sarcasm soon give way to more menacing, erratic and brutal behaviour. Unable to find any peace in the banalities of the quotidian, Krister is forced to face up to the personal horror of what has gone before. This assured second feature from Jesper Ganslandt is at once sensitive, heartfelt and yet gruesome, with quietly menacing scenes confidently punctuated with moments of almost operatic drama. Olle Sarri's performance as Krister is pitch perfect, with his sinister intensity never overshadowing the tragic and at times pathetic core at the heart of his character. Bob Dylan's 'Too Much of Nothing', which plays out over the closing credits, gives a disquieting final hint as to the universality of Krister's ennui. This fresh, disturbing and expertly paced film marks director Ganslandt out as one of Sweden's brightest emerging young talents.Sarah Lutton
谷歌为您翻译：
克里斯特尔（Krister）既是丈夫又是父亲，在似乎陌生的环境中醒来时充满血腥和痛苦。受他的经验影响深远，他试图通过设置自己的日常习惯来恢复某种正常状态，但是他最初的分心和嘲讽很快就让位给了更具威胁性，不稳定和野蛮的行为。克里斯特尔（Krister）无法在quotidian的平庸中找到任何和平，他被迫直面过去所经历的恐怖。杰斯珀·甘斯兰特（Jesper Ganslandt）放心的第二部作品既敏锐，发自内心又令人毛骨悚然，安静而险恶的场景充满了几乎是歌剧般的戏剧性时刻。奥莱·萨里（Olle Sarri）饰演克里斯特（Krister）时表现出色，他险恶的强度从未掩盖其角色核心的悲剧性和有时可悲的核心。鲍勃·迪伦（Bob Dylan）的《太多的事》（Too Much of Nothing）在期末片尾上进行了演说，给出了克里斯蒂（Krister）ennui的普遍性的令人不安的最终暗示。这部新鲜，令人不安且节奏熟练的电影将导演甘斯兰特（Ganslandt）评选为瑞典最杰出的新兴青年才艺之一。
发表于 2026-3-16 10:16:32
