◎译 名 四重奏
◎片 名 Quartet
◎年 代 1981
◎产 地 法国 / 英国
◎类 别 剧情 / 爱情
◎语 言 英语 / 法语
◎上映日期 1981-05-20
◎IMDb评分 6.4/10 from 1202 users
◎IMDb链接 https://www.imdb.com/title/tt0082964
◎豆瓣评分 7.2/10 from 522 users
◎豆瓣链接 https://movie.douban.com/subject/1293947/
◎片 长 USA: 101 分钟
◎导 演 詹姆斯·伊沃里 James Ivory
◎编 剧 鲁丝·普罗厄·贾布瓦拉 Ruth Prawer Jhabvala / 詹姆斯·伊沃里 James Ivory
◎主 演 阿兰·贝茨 Alan Bates
玛吉·史密斯 Maggie Smith
伊莎贝尔·阿佳妮 Isabelle Adjani
安东尼·希金斯 Anthony Higgins
伯娜丝·斯戴杰斯 Bernice Stegers
◎标 签 法国 | 阿佳妮 | IsabelleAdjani | 法国电影 | 英国 | 伊莎贝尔·阿佳妮 | 1981 | 爱情
◎简 介
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
◎获奖情况
第34届戛纳电影节(1981)
主竞赛单元 金棕榈奖(提名) 詹姆斯·伊沃里
主竞赛单元 最佳女演员 伊莎贝尔·阿佳妮
谷歌为您翻译：
有人说，二十世纪最伟大的小说都包括旅馆里的景象，这是上世纪大片连根拔起的征兆：詹姆斯·科特迪瓦（James Ivory）从蒙帕纳斯饭店的蒙太奇开始了四重奏，这是我们介绍之前的一个安静的序幕。四重奏改编自1928年让·里斯（Jean Rhys）的自传体小说，讲述了一个复杂的西印度裔年轻女子，名叫玛丽亚（Isabelle Adjani饰）和她的丈夫斯特凡（安东尼·希金斯）的爱情四方故事，一位名叫海德勒（Alan Bates）的操纵性英国艺术赞助人，以及他的画家妻子路易斯（Maggie Smith）。这部电影以巴黎黄金时代为背景，这是海明威咖啡馆文化的“可动盛宴”以及夜生??活，奢华和文人的奢侈：然而，下面是在抛光的黄铜小酒馆下面险恶的轮廓。当玛丽亚的丈夫被放在巴黎时因出售被盗艺术品而入狱，她因贫穷而被海德勒和他的妻子收养：掠夺性的英国人（其人物赖斯以小说家福特·马多克斯·福特为基础）迅速利用了新的生活安排，并且玛丽亚（Marya）陷入了夫妻之间的束缚。情人交替地趋向彼此，彼此排斥，现在表示自己的爱，现在承认自己残酷的冷漠-始终保持露面。这部电影探索了在“美好”与“美好”之间，在外在完善与内在黑暗之间的广阔领土：在一集暴力事件之后，路易斯·洛伊斯要求玛丽亚不要对巴黎人群说这件事。 “这就是您所担心的吗？”要求愤怒的玛丽亚。 “实际上，” Lois回答说：“是的。” Adjani因在四重奏中的表演而获得了戛纳电影节最佳女主角奖：她的Marya是法国女学生和轻蔑的情妇的多变复合体，在颤抖的喜悦和歇斯底里的爆发。史密斯（Smith）扮演着她最难忘的角色：她给露易丝（Lois）充满了凯瑟琳·阿拉贡（Katherine-of-Aragon）无能为力的愤怒，因为面对丈夫的选择无能为力，她感到羞辱。她与贝茨（Bates）的互动是从婚姻的幻灭到淡淡的接受的场景.Ruth Prawer Jhabvala和James Ivory的电影剧本以Rhys的小说为基础，构建了一个既真实又独特的世界。描绘了一个失去了束缚而无意间失去了灵魂的社会。我们被带到带镜子的咖啡馆，然后穿过窥视镜：在一个场景中，玛丽亚被提供了一个模特的工作，然后发现自己是一个受虐狂色情作家的工作室。皮埃尔·隆姆（Pierre Lhomme）拍摄的这部电影创造了Rhy小说无法企及的彻底电影般的瞬间：在象牙最令人难忘的场景之一中，一位美国黑人黑人女妖怪（由Armelia McQueen饰演）用大而黄铜的爵士乐来招待巴黎顾客。歌曲，既不微妙也不优雅。科特迪瓦将镜头保持在歌手的举动上：她毫无防备的微笑中有一些东西使蒙巴纳斯举止下的危险显得更加尖锐。
腾讯为您翻译：
It has been said that most great twentieth century novels include scenes in a hotel，a symptom of the vast uprooting that has occurred in the last century：James Ivory begins Quartet with a montage of the hotels of Montparnasse，a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys，Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya(played by Isabelle Adjani)，her husband Stefan(Anthony Higgins)，a manipulative English art patron named Heidler(Alan Bates)，and his painter wife Lois(Maggie Smith).。。恋人们互相排斥，互相排斥，现在承认自己的爱，现在承认他们残忍的冷漠-。这部电影探索了“美好”与“善”之间的巨大疆域之间的外在精炼与内心黑暗：在一次暴力事件之后，露易丝要求玛丽亚不要向巴黎人群提起这件事。“这就是你担心的一切吗？”要求愤怒的玛丽亚。。史密斯在她最难忘的角色中闪耀着：她让露易丝成为了阿拉贡的一个无能的愤怒，她因面对丈夫的选择而无能为力，感到羞辱。。。。象牙保持着照相机的作用：她没有防备的微笑中有一些东西使他的举止显得更加危险。
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发表于 2026-3-16 10:20:51