This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
谷歌为您翻译:
这部电影是一部极富娱乐性的心理惊悚片,卡罗尔·贝克(Carrol Baker)出色,是一位富有的美国寡妇在一个僻静的意大利别墅中摆脱一切。对运气好的花花公子娄·卡斯特(Lou Castel)轻描淡写,他的时髦时髦诱惑技术背后有一些淘金的动机,对他如何得到自己想要的东西也毫不犹豫。他鼓励贝克角色开始酗酒和自卑,引入他所谓的“姐姐”,以帮助贝克进一步陷入病态的游戏,吸毒和群体性交的迷宫中,最终导致陷入疯狂和自我沦落。毁灭性的堕落。我不会再放弃了,足以说这部电影拥有六十年代的摇摆,欧元的低迷氛围和黑桃惊悚片的心理悬念。导演翁贝托·伦齐(Umberto Lenzi)的工作充其量是不平衡的,他已经废除了他的胡扯。但是,他在六十年代和七十年代拍摄了一些非常出色的giallos和犯罪照片,这就是其中之一(伦兹(Lenzi)的其他好电影-SPASMO,七种兰花,致命武器突袭,仅举几例)。这部电影经常与另一部还不错但不如伦兹的电影相混淆,该电影在美国也以相同的PARANOIA头衔在美国短暂发行(但更广为人知,尤其是在视频中,它是A QUIET PLACE TO KILL)。
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