Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
谷歌为您翻译：
继他们的长片首演获得成功之后，詹妮弗的《暗影（Shadow）》（2004年）–在一个名为阿根廷的可怕土地上的美国哥特式演习中–帕勃罗·帕罗斯（PabloParés）和丹尼尔·德拉维加（Daniel de la Vega）曾在一家美国公司任职。巨型灾难荒原的僵尸电影，其中南美已变成多用途，所有材料的垃圾场，而亡灵是周围最后的人道实体（忘了这里的人类！）。该项目从未实现，但迭戈·帕尔Pablo的兄弟（？）开始根据电影剧本（C）编写和绘制漫画系列，到目前为止，由于只有部分内容已完成并出版，因此仍然是一片废墟。导演二人组现已将迭戈·P·迭戈（Diego P.）的爱情之乐的美丽之物和球巧妙地转变为令人愉悦的老式（1970年代）低预算作品，比罗西·但丁（Fulci and Lenzi）更接近罗梅罗和但丁。 IFFR的观众可以享受美食：他们可以观看电影，还可以在展览中欣赏未完成的漫画。
发表于 2026-3-16 10:23:44
