Mao has a pallet repair business and a heavy vehicle garage in an anonymous industrial area of a Paris suburb. He decides to open up amosque for his employees, but he designates an imam for it without consulting with them. Some of the workers object to the choice, and aggravated social conflict soon follows. Going against all clichés, after Wesh wesh, qu’est-ce qui se passe ? and Bled Number One, Rabah Ameur-Za?meche pursues his amusing poetic plunge deep into the heart of the world of Maghreb immigration, and this time, into the working world. His film, themed on the color red, is an involved work as well as a work of art, a forum where civil dialogue and religious questions are expressed with a great freedom. Backing up his extremely personal mise-en-scène, Ameur-Za?meche invents characters in rhythm with the movement of the pallets that the actors move about, in the theatrical setting of the company workplace. A poetic masterwork full of humor and tenderness, Dernier maquis was selected for the Directors’ Fortnight this year in Cannes.
毛在巴黎郊区的一个匿名工业区有一家托盘维修公司和一个重型汽车修理厂。他决定为他的员工开设amosque，但他没有与他们商量就指定了一名伊玛目。一些工人反对这一选择，随之而来的是社会冲突的加剧。与所有陈词滥调的??相反，在WESH WESH之后，Qu??Est-ce Qui se se过去了吗？而布莱德的头号人物，拉巴·阿穆尔-扎梅切(Rabah Ameur-Za？Meche)则继续着他有趣的诗意深入马格里布移民世界的中心，这一次，他深入了工作世界。他的电影以红色为主题，既是一部涉及到的作品，也是一件艺术作品，是一个自由表达公民对话和宗教问题的论坛。支持他极其个人化的mise-en-sc??ne，amur-za？meche根据演员移动的托盘的移动节奏创造人物，在公司工作场所的戏剧环境中。这是一部充满幽默和柔情的诗意杰作，更滑稽的马奎斯被选为今年在戛纳举行的??导演双周的参展作品。
发表于 2026-3-16 10:23:54
