The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
◎获奖情况
第73届英国电影学院奖(2020)
电影奖 最佳英国影片(提名)
电影奖 英国本土杰出处女作(提名) 马克·詹金
第22届英国独立电影奖(2019)
最佳英国独立电影(提名)
最佳导演(提名) 马克·詹金
制片突破
最佳剪辑(提名)
第40届伦敦影评人协会奖(2020)
年度英国/爱尔兰电影(提名)
年度突破英国/爱尔兰电影人(提名) 马克·詹金
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发表于 2026-3-16 10:31:57
